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Bridges...
A quick update this week…
Bridging chapters – it’s a term I use for chapters that connect one set of important events to the next. For example, a character may have been captured and imprisoned in a chapter on the way to completing an important mission. In order to connect the imprisonment with a return to the mission, a bridging chapter – the escape – is necessary.
This past week has been devoted to completing a bridging chapter in Jaysin’s Song. In trying to reach his brother, Chasse, who it seems has been captured by the Kermakkians, Jaysin is also caught and sold into slavery. In order to find his brother, first he has to escape.
Bridging chapters often introduce new minor characters who provide ‘help’ to the main character. These characters can have once-off appearances in the story, or may later reappear because of the relationship they briefly establish with the main character. Bridging chapters also provide opportunities to have the central character reflect on why he/she is doing what he/she is doing. The trap with bridging chapters is they can become mundane if they keep the reader too far from the main plot or the main character is too ‘trapped’ in their situation.
This particular chapter presented several challenges. The first was how to enable Jaysin to free his hands in order to escape. The second was how to enable Jaysin to escape a town overrun by the enemy. The third was how to deal with certain injuries Jaysin receives in trying to escape. Creating the moments in such a way as to allow logic to be present is always satisfying when they come together believably (within a fantasy context at least). I think I’ve managed that.
Completing this bridging chapter brings the project to 45,000 words, and moves events back onto the main plotline.
On a different note, this week provided two inspiring moments for me. One was finding four of my novels sitting at the front of a second-hand book shop – nice promotion. The second were two emails; a complimentary one from a country student who has just finished reading Caught in the Headlights – the second from a reader of the Amber Quatrology who wanted to share how much she enjoyed the series. In recent years, I’ve seen myself as a ‘forgotten writer’ because it’s been so long since I published in mainstream, so the occasional fan mail reminds me that what I’ve written has entertained or touched people. That is the nicest feeling. It’s been a good week.
Bridging chapters – it’s a term I use for chapters that connect one set of important events to the next. For example, a character may have been captured and imprisoned in a chapter on the way to completing an important mission. In order to connect the imprisonment with a return to the mission, a bridging chapter – the escape – is necessary.
This past week has been devoted to completing a bridging chapter in Jaysin’s Song. In trying to reach his brother, Chasse, who it seems has been captured by the Kermakkians, Jaysin is also caught and sold into slavery. In order to find his brother, first he has to escape.
Bridging chapters often introduce new minor characters who provide ‘help’ to the main character. These characters can have once-off appearances in the story, or may later reappear because of the relationship they briefly establish with the main character. Bridging chapters also provide opportunities to have the central character reflect on why he/she is doing what he/she is doing. The trap with bridging chapters is they can become mundane if they keep the reader too far from the main plot or the main character is too ‘trapped’ in their situation.
This particular chapter presented several challenges. The first was how to enable Jaysin to free his hands in order to escape. The second was how to enable Jaysin to escape a town overrun by the enemy. The third was how to deal with certain injuries Jaysin receives in trying to escape. Creating the moments in such a way as to allow logic to be present is always satisfying when they come together believably (within a fantasy context at least). I think I’ve managed that.
Completing this bridging chapter brings the project to 45,000 words, and moves events back onto the main plotline.
On a different note, this week provided two inspiring moments for me. One was finding four of my novels sitting at the front of a second-hand book shop – nice promotion. The second were two emails; a complimentary one from a country student who has just finished reading Caught in the Headlights – the second from a reader of the Amber Quatrology who wanted to share how much she enjoyed the series. In recent years, I’ve seen myself as a ‘forgotten writer’ because it’s been so long since I published in mainstream, so the occasional fan mail reminds me that what I’ve written has entertained or touched people. That is the nicest feeling. It’s been a good week.
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