Time to sketch some new spaces and places for the development of Chasse's Song. The second instalment of The Last Wizard is close to 65,000 words this week, but the action moves away from Harbin and into a much larger world. Tam, Chasse, Jaysin and the fledgling dragon, Harmi, have escaped the clutches of Marron and the new Dragon Head Mikane, and must forge a new path into a world where wizards and dragons are far from welcome.

I began by enlarging the original Harbin map beyond Dragon Mountain, exploring how the greater mountain range might look, where rivers would run, where people are likely to have settled and where the wilds were still 'untouched' by civilisation. The new land also has a couple of stark reminders of the past - a large forest where dragons were once meant to have lived and a vast scar across a forest/plain where dragon fire burned everything and where nothing grows.

Choosing a map 'style' to represent mapping by the greater civilisation beyond Harbin is a challenge. Whether to represent mountains as peaks or as semi-cartographical pictures, and to what degree to include detail that will eventually be lost in a small picture in a paperback all are questions to explore. Also generating a sense of the city to which the characters are heading eventually is a task I've started. My first drafts are included in this blog to show the thinking behind creating a physical fantasy world. Coupled with this will be the development of the wider world's social, political and economic cultures.

The writing process is fascinating, even when it is something you feel confident and motivated with. Chasse's Song has progressed to 62,000 words - slow by my personal standards, but not indicative of the ideas: more about available time.

Not a lot to write this week as far as process goes. I'm still drafting maps for the location, and Kirsi has shared a second draft of the first cover illustration that effectively captures a sense of character, place and colour, so aspects are happening. Events are shifting the main characters out of the village into a world beyond the mountain, and that is where the story goes forward from today.

On a different tangent, I can no longer order author copies of my books on Amazon - an issue that other writers have warned me of - so I will spend a little time in the coming fortnight learning how to prepare and publish print-on-demand copies of my work on IngramSpark. This will enable me to order copies that I can on-sell to people. While Amazon proved easy and convenient to make my out-of-print work available as ebooks, it has backfired as far as accessing paper versions. I will correct that.

​This time - not much else to say...

Back at work means less time for the good things, so I've left this entry for a fortnight.

The first exciting news was seeing a working draft of Kirsi's illustration for the first book. We're working on the ambient colour being similar to the original novel ie colours around Tamesan's name meaning the Dawn's Light while capturing a sense of character and place. I'm loving what I've seen and we are discussing important features to add connection between the art and the writing.

Readers often ask if the writer has input into cover illustrations. My experience generally has been yes, and is certainly the case now when self-publishing, but also some of my earlier books emerged with covers approved by the publisher and not entirely by me. I think a lot depends on the marketing editors and what they guess will work as attractive covers.

Chasse's Song is now entering Chapter 18, and just over 55,000 words. The last two chapters brought interesting challenges where I am trying to capture Chasse's struggle with what constitutes being a man - traditionally in his village and what people expect of him. The antagonists have been reintroduced to ramp up the pressure on Chasse as they threaten the people he loves. Chasse is an emerging warrior, but his inexperience and lack of confidence arising from his inexperience combine to frustrate him when he wants to act as he believes he should act.

Because of the central character focus, it's also interesting working out how to show growth continuing offstage for Tam and Jaysin who are coming to grips with learning magic and living with a growing dragon. The trope/feature of magic in The Last Wizard books is partly the immutable and ubiquitous connection between dragons and wizards, with dragons being an inter-generational source of magical lore and ability, and also the presumption of the capacity for magic to enhance and work on the natural energy in all matter. Tam's growing capacity for magic is tied directly to her baby and growing dragon. Jaysin, however, is an anomaly; a person who can weave magic from the very matter of things, something not seen in this particular fantasy world before.
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Speaking of fantasy worlds, as each of my works emerged I placed them geographically on the same planet/world. The Andrakis trilogy with its lands of Andrakis, Ranu Ka Shehaala, Targa and Uz Erhaag expanded eastward in the Ashuak Chronicles to include Ashua, Shekisu and Sekesu and Ukesu, and in the Dreaming in Amber series the world not only encompassed all of these lands but introduced Western Shess. Map examples below...

​With 45,000 words in draft, technically I'm at the halfway point of Chasse's Song. Of course, 'halfway' is a concept when creating a story, a marker, a reminder of keeping the story within agreed bounds. This is partly determined by text binding limitations with publication, partly audience expectation of reading lengths, partly 'tradition' for a genre - but mostly so I can give myself a solid target to constrain the tale.

Writing comes with more research. This week, the Harbin Dragon Fang are embarking on building a new dragon ship, regardless of whether the ones who fled when the dragon appeared in the village are coming back with the village's only ship. This sent me back into researching how the Vikings and other seafarers built their clinker longships. So much information is available, particularly given the projects that have been undertaken to replicate the building of those ships - everything from the kind of tree needed, how to shape and cut the keel, the strakes, the bow and so on. Additional research was needed to determine how a sail could be constructed from goat hide (the Vikings apparently sometimes used wool). Materials, techniques, time - all are important to help me add 'authenticity' to the story.

https://regia.org/research/ships/Ships1.htm

This led to revising how to fell trees effectively. Again, personal life way back in my teens gave me experience in this, but memory and research need to combine. There are some fascinating pages online. I was especially amused by the link following:

https://gearpatrol.com/2009/06/13/be-a-better-man-in-30-days-day-13-know-how-to-chop-down-or-fell-a-tree/#:~:text=Chopping%20With%20An%20Axe%3A%20If,the%20way%20through%20the%20tree.

Then the fun research turned to killing and butchering goats. Yes, from my childhood I remember the process for killing, hanging, gutting and butchering a sheep, but fifty years separate me from that time. So, into the research. There is literally nothing you can't learn online nowadays. Why this? A spoiler - how else do you feed a baby dragon?

https://www.farmdrop.com/blog/the-ultimate-goat-cuts-guide-how-to-choose-and-cook-your-cuts/

With the story's changing seasons from deep blizzard winter to emerging spring, I then researched a range of topics including seagull breeding seasons, bears emerging from hibernation, wolves hunting in snow and so on.

https://www.rspb.org.uk/birds-and-wildlife/advice/gardening-for-wildlife/animal-deterrents/gulls/gull-breeding-habitats-and-nest-sites/

Finally, before this post, I was researching the impact and healing processes involved in treating broken ribs and a 'mildly' punctured lung - the fate of a character hangs on this material.

https://www.healthline.com/health/broken-rib

The links in this post are quick samples of where I've been as I've been developing the story. Each piece of research needed correlation from multiple sources to ensure I was finding accurate (or relatively accurate) information. A long time ago, I naively thought writing a story was a case of 'making it up' and relying on my personal knowledge and experiences. While that is equally still true, especially in a fantasy tale where the world and magic are in the hands of the writer, the degree of research involved is often hidden from readers, especially if it flows in the tale as it should - part of the world, the characters and the events.

One more week of being a 'full time' writer lies ahead before the working world kicks back in. Fourteen chapters have taken shape. I'm enjoying the project, but it is only a partial form chipped roughly in marble - a long way from the statue I want it to be.

First, all quiet on the publisher front - not how I like it, but part of a writer's fate.

I'm making good progress into the first draft of the second book in The Last Wizard trilogy, Chasse's Song and I'm enjoying where the story is going. Having spent considerable time reacquainting myself with Harbin and Tam's world and where her brother Chasse fitted, I finally feel I've moved into Chasse's space comfortably and we've passed 25,000 words this weekend.

Whereas the original book - now Tamesan's Song: The Last Wizard Book One in preparation for re-release - focussed on Tam's coming of age, Chasse's Song: The Last Wizard Book Two, focusses on his coming of age as explained in previous posts. This will mean a number of interesting and challenging issues emerge. Now that he is a dragon warrior and he was present when the Dragon Fang were ambushed while they were raiding a southern town, he has to resolve his role in Harbin as a young man, a warrior, a protector, and a son and brother, and potentially a husband. His father, Dragon Head Kevan, takes responsibility for leading Chasse through the Trial of the Second Winter, a time when the new dragon warriors of Harbin 'come-of-age' through testing and facing the truth of what they are required to do and be. This new stage brings increasing security and also dilemmas for Chasse who can see how his sister's choices place her at odds with village traditions and where this will potentially create a schism between her and him. And he is still dealing with PTSD from his first experience as a dragon warrior. And there is a growing love interest that will also challenge him. Tam is on the mountain, with the dragon's egg, the Herbal Man's library and goods, and little brother Jaysin, although her life is now momentarily offstage. Oh, and eventually the ones who abandoned Harbin when Claryssa the dragon emerged will return to search for the dragon treasure. But that's not written yet...

Kirsi has agreed to work on the cover illustrations and we've now signed a contract so that part is underway and I'm excited that she is involved.

I'm dedicating an hour or so each day to writing currently, and trying to nail several hours each weekend. When I started writing seriously way back in 1988, even before I won my first contract, I bought time by replacing my involvement with basketball. Back then, training and playing with Noarlunga City Tigers consumed close to 15 hours a  week, spread across 6 days of commitments, so when I retired from the club and the game entirely I converted the basketball slabs of time to writing time. I coupled that with sometimes smashing multiple hours two-three times a week in exchange for sleep, working until 2 or 3am and sleeping briefly before heading to work, and that's pretty much how the Andrakis trilogy came to life from 1988-1993, but it wasn't a sustainable way to live. In contrast, the original The Last Wizard was fully drafted in three months in 1993 when I took a term's leave from teaching.

Okay, so Chasse wants me to take him further into the Trial of the Second Winter because he wants to become a man. A blizzard is brewing in the background and his father is about to engage him in trial by combat. A wolf pack is circling higher up the slope. I have to go...